Notes from UDI DSP
How our plugins work, and which one to reach for.
Ghostlight or Ghostlight Pro? Which spectral reverb is right for you
Both share the same reverb core and the same reactive Bloom and Ghost engine. Here is what Ghostlight Pro adds, what Ghostlight leaves out on purpose, and how to choose.
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Granularmotion: turn pads, strings and anything else into a shimmering cloud
How Granularmotion cuts what you play into grains, and how to use it as a creative effect: shimmer, harmony clouds, frozen moments, stutters and feedback, with animated illustrations and eight recipes.
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Dronevoice: how to turn a spoken line into a monster, with recipes
How BODY, FORMANT, RAGE, LEGION, ECHO and HAUNT build a creature from a single voice, in five animated illustrations, plus eight recipes to start from.
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Mastering with a multiband saturator: a practical guide to Crestwave Multibend
Why saturation is a mastering staple, why it works better band by band, and how to set up Crestwave Multibend for a master: gentle colour, a solid mono low end, air on the sides, and the right quality settings.
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Prismwave: flanger, chorus and phaser are one effect, with recipes
Why a phaser, a flanger and a chorus are really one idea, how Morph, Stretch, through-zero and the endless climb work, and nine sounds to start from.
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Echolight: ping-pong, orbit, clouds and shimmer, with recipes
A delay that can melt into a reverb. How Ping-Pong and Orbit move the echoes, how the cloud and shimmer work, and seven starting points for sounds worth chasing.
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Clearlight or Ghostlight Pro? Choosing between our two flagship reverbs
Both are reverbs, and they share a reverb engine and the same panel. They are built for different jobs: one places a sound in a huge room, the other turns it into something new.
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